Survival of the Illest
18, Bulgaria.
Art, Architecture, Cars, Basketball and Hip-hop
  • amjayes:

    Björn in a Ferrari.

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  • The Unattractiveness of Vanity

    lionofchaeronea:

    Martial, Epigrams 1.64

    You’re beautiful – yes, we all know it -
    And in the prime of youth – that much is true -
    And you’re certainly rich – who could deny it?
    But Fabulla, when you overpraise yourself,
    You’re not rich, or beautiful, or young any longer.

    Bella es, nouimus, et puella, uerum est, 
    et diues, quis enim potest negare?
    Sed cum te nimium, Fabulla, laudas,
    nec diues neque bella nec puella es.

    image

    Portrait of a Young Girl, Raphael (1483-1520)

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  • archatlas:

    Zima: The Powerful Beauty of Russian Winter

    In the words of the artist Elena Chernyshova:

    There is no aesthetic like the Russian winter. Yes, it can be grey and dull at times, but at its height, it completely reconfigures the environment. The universal white cover fills the land with a pure, magical beauty, full of dignity and mystery. According to an old saying, truth, in reality, is white, sparkling, frosty cold, silent and endless: something like the boundless Siberian tundra landscape.

    Follow the Source Link for images sources and more information.

    (Source: architectureatlas.wordpress.com)

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  • thunderstruck9:

    Elise Konstantin-Hansen (Danish, 1858-1946), Grib [Vulture], 1893. Watercolour and pencil on paper, 118.5 x 131.5 cm.

    via amare-habeo

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  • terminusantequem:

    Ceri Richards (British, 1903-1971), Blue Interior with Dice, 1950. Oil on canvas, 89,5 x 110,6 cm

    (via thunderstruck9)

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  • thunderstruck9:

    Axel Törneman (Swedish, 1880-1925), Dåren [The Fool], 1907. Oil on canvas, 197.5 x 180 cm.

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  • thunderstruck9:

    Lisa Oppenheim (American, b. 1975), Fish Scale, Véritable (Version 4), 2012. Photogram, 106 x 86.5 cm.

    via svamla

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  • thunderstruck9:

    Olle Hjortzberg (Swedish, 1872-1959), Stilleben med ranunklar och orientalisk keramik [Still life with ranunculus and oriental ceramics], 1950. Oil on panel, 65.5 x 54 cm.

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  • germanpostwarmodern:

    House Perdrizet (1955-57) in Champigny-sur-Marne, France, by Claude Parent

    (Source: astudejaoublie.blogspot.de, via germanpostwarmodern)

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  • thunderstruck9:

    John Bratby (British, 1928-1992), Small house by a railway line, Kings Langley. Oil on board, 91 x 122 cm.

    via dappledwithshadow

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  • (Source: zatsushokuroku)

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  • (Source: zatsushokuroku)

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